This scene from Dawn of the Dead
(1979) happens towards the very end of the movie when Peter and Fran are about
to make their escape. This high angle
shot is used by Romero in an attempt to compare the zombies to normal human
beings, and showing that we are actually the monsters of the modern day. Contextually shopping malls were just
being built everywhere and were taking off; this is Romero’s way of satirising consumerism again. The Cinematography of this scene is a high angle shot which makes the zombies
seem inferior to the setting, this is commenting on how consumerism had a tight
hold on the general public of the time. The mise-en-scene of this scene is quite bright; however the most eye
catching prop is the red clock in the middle. The red clock connotes danger as red is primarily an
evil colour, also having that in shot with zombies adds to the horror aspect of
it. The diegetic sound of the three
‘dongs’ from the clock is ominous and breaks the silence, creating tension for
the audience just before Peter and Fran make their escape. After the three
‘gongs’ from the clock, Herbert Chappell’s ‘The Gonk’ is played which is
contrapuntal to the scene. The music is used by Romero to make the idea of consumerism seem simultaneously
appealing yet terrifying to the audiences due to the contextual information with malls being made in the late 1970’s.
This contextual theory was first
pioneered by a critic called Janet Staiger
within her book "Understanding Films" (1990 edition) in which
she looks at how audiences respond to films, and how different audience members
watch films in different ways. So whilst it may just appear that this mall is
overrun by zombies, with the help of Staiger's theory we can see that Romero
was actually telling audiences that people act in zombie like mannerisms when
it comes to purchasing of products.

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